Collected Screenplays
Product ID: 8724427
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Since his death, Andrei Tarkovsky (1932-86) has become increasingly recognized as one of the true masters of world cinema. In the Soviet Union of his era, where the collective was of the utmost importance, Tarkovsky dared to create his own provocatively original style of filmmaking. His nonrealistic, highly charged images continued to be a source of inspiration-not only for a new generation of filmmakers but also for poets, musicians, and painters-even after he defected to the West, where Nostalgia was shot in Italy in 1983. His last film, The Sacrifice, was filmed in Sweden with Ingmar Bergman's collaborators. This volume collects his great works, including Solaris, Mirror, Stalker, Nostalgia, The Sacrifice, and Ivan's Childhood. These scripts deepen and expand our understanding of Tarkovsky's films, for they map out the early stages and personages (some never embodied on the screen) and help to clarify the obscure characters, images, and sequences that are so central to this great filmmaker's unique work. Filmography Andrei Tarkovsky died in Paris in 1986. William Powell previously translated The Selected Writings of Sergei Eisenstein. He lives in London. Review: The best of it's kind - Before going to see a Shakespeare play, I always read the play first, as doing so always enhances the experience. I never thought I'd say that about a film maker; but there was never another film maker like Tarkovsky. Reading these scripts, which are both highly cerebral and intensely visual, gives one the rare, intimate pleasure of watching genius at work: and the unproduced scripts will give the imaginative reader a rich experience. To my experience, only Antonioni's That Bowling Alley on the Tiber matches this work for sheer cinematic brilliance in book form. This won't be an inexpensive purchase for anyone. But it is a precious one. Review: Tarkovsky's screenplays finally reprinted - First, this collection does NOT include the Andrei Rublev script, printed separately and in great need of a reprint. Here you will find all of Tarkovsky's other scripts, including two unreleased ones. Scripts contain some omitted and alternate scenes. Indispensable for the Tarkovsky fan.
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| Customer Reviews | 4.7 out of 5 stars 47 Reviews |
P**I
The best of it's kind
Before going to see a Shakespeare play, I always read the play first, as doing so always enhances the experience. I never thought I'd say that about a film maker; but there was never another film maker like Tarkovsky. Reading these scripts, which are both highly cerebral and intensely visual, gives one the rare, intimate pleasure of watching genius at work: and the unproduced scripts will give the imaginative reader a rich experience. To my experience, only Antonioni's That Bowling Alley on the Tiber matches this work for sheer cinematic brilliance in book form. This won't be an inexpensive purchase for anyone. But it is a precious one.
N**D
Tarkovsky's screenplays finally reprinted
First, this collection does NOT include the Andrei Rublev script, printed separately and in great need of a reprint. Here you will find all of Tarkovsky's other scripts, including two unreleased ones. Scripts contain some omitted and alternate scenes. Indispensable for the Tarkovsky fan.
S**A
magic
Just saw The Stalker last night. Possibly the best movie I've seen in my life. Tarkovsky is a master of magic/symbolism/the human condition. No wonder he was Bergman's favourite. I really look forward to reading this book.
A**R
Take time for Tarkovsky
Unanimously hailed by the intellectual crowd as the greatest poet of modern cinema Tarkovsky's Collected Screenplays provides a blueprint into the mind of this genius. The density of his films typically filled with a cannon of symbolism and metaphors are revealed to us in a new light through his screenplays by lucid and coherent writing providing yet a distinctly new approach in understanding and appreciating his deeply felt themes on life. Without the element of time so inherent in film, the ability to rest on a thought or a remark by this incredible film-maker is what makes reading this book such a pleasure. In addition to this book I would recommend Sculpting in Time.
A**R
so the screenplay for something like Stalker may only take up less than 30 pages
If ever it was a remarkable thing to compare the screenplay to the finished film, these collected screenplays of Tarkovsky might be the most interesting. Tarkovsky's cinema was always poetic, eschewing a lot of traditional narrative in favour of powerful imagery and artistic montage. dialogue is often sparse, so the screenplay for something like Stalker may only take up less than 30 pages, compared to a nearly 3 hours film. the excerpts from Tarkovsky's diaries that accompany each screenplay also give great insight into the great Russian's creative process. although missing Andrei Rublev, this collection does include several unproduced scripts and his student short. no fan of Tarkovsky should be without.
D**E
Perfect
exactly what I wanted, and arrived so quickly.
E**S
For all that love cinema
This book allow us to better understand Tarkovski vision. You will see how time is crucial and how a 6 pages text can result on a 2 hours film.
H**Y
format of book
I wanted screenplay format of scripts rather than narrative format.
A**N
Five Stars
amazing book
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