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Product Description ------------------- From accled filmmakers Lana and Andy Wachowski, creators of The Matrix Trilogy, and Tom Tykwer, director of Run Lola Run, the powerful and inspiring sci-fi epic Cloud Atlas explores how the actions and consequences of individual lives impact one another throughout the past, the present and the future. Action, mystery and romance weave dramatically through the story as one soul is shaped from a killer into a hero, and a single act of kindness ripples across centuries to inspire a revolution in the distant future. Extra Content * A Film Like No Other--Three directors. Six stories across 800 years. Actors jumping through time, space and personality. How did three visionaries of cinema divvy up the filmmaking to create a coherent whole and how did this massive endeavour come to be? .co.uk Review ------------- Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 Everybody loves a trier--and Cloud Atlas, Tom Tykwer and the Wachowski’s genre-hopping epic of interlinking stories, is a deserving sci-fi contender that sets its originality and complexity against the grain of risk-averse Hollywood. The writers have heroically adapted David Mitchel’s bestselling 2004 novel, condensing its 500 pages into three brisk hours and d its famous chronology, in which successive time periods are arranged concentrically like Russian dolls. Instead, Cloud Atlas slides back and forth over its half-dozen stories--Victorian travelogue, interwar romance, 70s corporate thriller, bedroom farce, dystopian sci-fi and lyrical post-apocalypse--interlocking them like an enormous cross-word puzzle. As with the Wachowski’s Matrix trilogy, the overall plot of Cloud Atlas is an earnest epic of metaphysical freedom-fighting, and a daisy-chain of clues place the film’s themes of slavery (whether personal, political or corporate) and abolitionism as an eternal cycle in human history. Rejected by Hollywood in early production, Cloud Atlas was rescued by $100m of independent money and the good faith of its up-for-it cast--who bust a gut to inhabit multiple roles, including successive reincarnations of the same set of characters. Artistically, it just aboutbreaks even as a sci-fi blockbuster: staring its critics down and flaunting its eccentric touches. These includes some out-there moments of race and gender promiscuity: Hugh Grant switches between a playboy pensioner, a Korean restaurateur and a grunting cannibal warlord; Hugo Weaving plays the silver-tongued demon Ol’ Georgie whilst holding down a side-role as Jim Broadbent’s bosomy matron; and Halle Berry is both a feisty Blacksploitation-era journalist and a deracinated English rose. Leading the cast is Tom Hanks, in the most generous performance of his career--diving in and out of wigs, accents, makeup and false teeth, exchanging dramatic leads for comic bit-parts and revolutionary heroics for panto villainy. A box office underachiever, Cloud Atlas is geared towards multiple viewings, and offers a rare glimpse of a major literary adaptation battling against production odds, and a cast and crew uncynically giving their all. --Leo Batchelor /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";}